跨領域創作者，作品涵蓋繪畫、拼貼、可穿戴物件、裝置藝術與藝術家手工書。她的創作多從情緒、節奏與記憶出發，靈感往往來自一個細微卻深刻的契機：一抹色彩、一塊撿來的物件，或是一段揮之不去的感覺。她以直覺為線索，透過層層堆疊、剪貼與構圖，讓碎片逐漸排列出屬於它們自己的語言與氛圍。她特別著迷於那些介於秩序與即興之間、不完美卻充滿生命力的時刻。
舞蹈一直是她創作語言的一部分。自幼習舞，之後前往紐約主修設計，並持續以身體感知節奏與空間。紐約的生活開啟了她對視覺節奏與空間情緒的敏銳感知— 而這樣的觀察也逐漸延伸至她的畫面與裝置創作中。舞蹈讓她學會以身體感受時間，設計則培養她對材質、結構與細節的敏感度，這些經驗交織出她獨特的創作語彙。
在紐約生活期間，她也迷上了藝術日誌、拼貼、與舊書的質感，這些不受限制的創作形式開啟了她更個人、直覺的表達方式，並為她後來的藝術書創作奠定了基礎。
她的作品總在結構與柔軟之間游移，無論是人像、拼貼還是一本手工書，始終在尋找那個無聲卻能被感知的時刻——當影像、質地與節奏交會，承載一段真實而細膩的感受。
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跨領域藝術創作者，創作涵蓋繪畫、拼貼、可穿戴物件、裝置藝術與手工書。作品多從情緒、節奏與記憶出發，透過素材的直覺組合與層層堆疊，捕捉那些介於秩序與即興之間、不完美卻充滿生命力的片刻。
舞蹈一直是她與世界對話的方式，是她感知節奏與空間的根本。在紐約生活期間，發展出對場域與城市氛圍的敏銳觀察，也將設計中對結構與手工的理解，轉化為作品中節奏與材質的構築方式，讓身體經驗與物件語言自然交織。
擅長以拼貼、繪畫與物件創作，呈現個人經驗中那些無聲卻真實的感受，讓影像、質地與情緒交會成一種可觸知的敘事語言。
I am a multidisciplinary artist working across painting, collage, wearable objects, installation, and artist books. My work is rooted in emotion, rhythm, and memory—often beginning with something small: a fragment of color, a found object, or a feeling that won’t let go. I build intuitively, layering pieces together until they begin to form their own logic, mood, and language. I’m drawn to the imperfect, the improvised, and the spaces in between.
Dance has always been part of my language. I started in childhood, majored in dance in Taiwan, and continued dancing throughout my years in New York while studying fashion and accessories design. Living in the city also opened my eyes to visual rhythm in a different way—through storefronts, restaurants, window displays, and the incredible architecture that surrounded me. I became fascinated by how spaces are designed to make people feel something, and that curiosity naturally spilled into how I compose both images and installations. Dance taught me how to feel time through the body. Design sharpened my attention to material, structure, and emotion. These threads—movement, space, form—have slowly braided themselves into the way I create.
While in New York, I also discovered a deep love for art journaling, collage, mail art, and the textures of old books. These were creative forms that existed outside of rules—intimate, tactile, and deeply expressive. I began filling sketchbooks with layered thoughts and found materials, slowly developing a visual voice that was more personal and instinctive. That exploration laid the groundwork for the zine and artist book practice I’ve continued to grow.
In all my work, I’m drawn to the intersection of structure and spontaneity, softness and strength, emotional intuition and thoughtful form. Whether I’m creating a portrait, assembling a collage, or making a book by hand, I’m always searching for the moment when something invisible becomes felt—when texture, image, and rhythm come together to hold a piece of something true.
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